The Clio Awards Final Deadline 25

Final Cut

When Sophie Met Rom-Coms
The inner workings of an unfairly overlooked genre
by Sophie Solomon
How Jeff Buchanan Edited the Aretha Franklin Doc Amazing Grace, 40 Years After It Was Shot
The Final Cut editor tackles legendary footage
by Tim Nudd
What It's Like Being Ridley Scott's Editor
Stories from the Hennessy and Turkish Airlines films
by Jim Weedon
16 Lessons I Learned From Editing My First Documentary
From darkness to elation, and everything in between
by Sarah Iben
The Clio Awards Final Deadline 25